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Direct Cinema : ウィキペディア英語版 | Direct Cinema Direct Cinema is a documentary genre that originated between 1958 and 1962 in North America, principally in the Canadian province of Quebec and the United States, and developed by Jean Rouch in France. Similar in many respects to the cinéma vérité genre, it was characterized initially by filmmakers' desire to directly capture reality and represent it truthfully, and to question the relationship of reality with cinema.〔"The type of cinema that poses the most profound and difficult problems concerning illusion, irreality and fiction, is indeed the cinema of the real, its very task being to face the most difficult problem asked by philosophy for two thousand years, that of the nature of reality." (In the 1980 festival catalog of ''Cinema du Réel'', Centre Pompidou, Paris) Original text of Edgar Morin on this topic (here ) (in French)〕 ==Origins== "Direct Cinema is the result of two predominant and related factors—The desire for a new cinematic realism and the development of the equipment necessary to achieving that desire"〔 *Monaco, Paul ("The Sixties" )〕(Monaco 2003, p. 206). Many technological, ideological and social aspects contribute to the Direct Cinema movement and its place in the history of cinema.
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